Four Poems

Now There is No Door
for Abu Omar, Aleppo, 2016
(Photograph by Joseph Eid/AFP/Getty Images)
Who doesn’t love an open window?
But now the drape, pane’s amiss.
The nephew hand-turns a grinder by the sink,
last few beans of coffee, he smuggled
upstairs, in his shirt. Memory’s a brew.
A bruise. Let the scent call for morning.
Nothing fills the basket by the door.
Forgive me. Now. There is no door.
Some sounds lock the mind—
some unhinge. But this tune,
unexpected, strange and familiar,
ivy-twining up the splintered struts
of the long-gone wall.
The old man still living there
cranking the gramophone,
out-blasting war with song.
Starts the bird inside, knocking
itself against ribs. Listen.
How the refrain resounds amid
frameless windows in Aleppo, one spring,
singing of love in the senselessness.
Not Knowing
If the eclipse heralds a message,
how many pairs of eyes burned
to read the sky before a wise one
said: Turn from eye-scald, listen
to the nearer darkness, its off-beat
in your chest. Not all that covers
maligns, not all that outlines sears.
He scattered words
with an elbow-fling
worthy of Millet.
Generations of night, day, toil,
unexplicated tumult, followed.
I ask myself what to read
in the night sky, what to hear
from within my tunic, and what
to toss into the wind. Picture me,
mid-stride in half-light, my linen bag,
stitched by hand, shoulder slung.
The Problem of Evil
Turning to it, we’re farmers
digging with a toe, the heel of a boot,
until a stranger tilts us a shovel,
a pick and hoe, a plough, dray horse,
combustion engine.
Oh for a goat to eat grass.
What was Quixote without a goatherd.
And Sancho. And us. Progeny.
Readers, now ready, armed
with a broom pole, a bowl for a helmet,
blinking. What it must take to laugh
at Darkness, the one war we’ll win.
These are, I promise you,
the same tools with which we weep.
Lance, basin, all we can claim:
A broken steed called Rocinante, a friend.
Not Everything Known is Remembered
She said my pockets heaped like yard sale jumbles;
she’d shake them out each night onto the spread,
before stories, before bed. I hiked a hand-carved leopard
to softball, brought the Magi into peace talks
with GI Joe. My lunchbox stowaways
(refugees for the refugee) confused:
a chessboard knight, that wren’s nest, empty,
puzzle pieces of snow, rescued
from an attic-stranded box,
Yerevan in Winter, a place I didn’t know.
If left unsupervised, I wore two different shoes.
You were my odd one, my mother said,
singing something low, a catch from a song,
she told me I once knew.

Jeanne Minahan is a poet and Ruth W. and A. Morris Williams Jr. Chair in the Liberal Arts at Curtis Institute of Music, where she also serves as Senior Associate Dean of Academics. In her role as a poet, Minahan collaborates frequently with composers, including Jennifer Higdon, Rene Orth, and Benjamin Perry Wenzelberg. Her recordings include Any of Those Decembers (Navona Records, 2024); Force of Nature (Lexicon Classics, 2023); NewVoices (Roven Records, 2015); and The Singing Rooms (TELARC, 2010). Her poems have been featured in over 60 performances sung by Lyric Fest, Philadelphia Singers, the NY Choral Society, DC Vocal Arts, Yale Glee Club, Pennsylvania Girl Choir, Rhodes Master Singers, and other ensembles.